The RCBC Library has many course textbooks on reserve. These books can be reserved for two hours at a time.
You can view which textbooks are available by subject on this guide:
Building on the best-selling tradition of previous editions, The World of Myth, Fourth Edition, offers a uniquely comprehensive collection of myths from numerous cultures around the globe. Featuring a thematic organization, it helps students understand world mythology as a metaphor for humanity's search for meaning in a complex world. Author David Leeming provides a sweeping anthology of myths, ranging from ancient Egypt and Greece to the Polynesian islands and modern science. Students will be captivated by stories of great floods from the ancient Babylonians, Hebrews, Chinese, and Mayans; tales of apocalypse from India, the Norse, Christianity, and modern science; and myths of the mother goddess from Native American Hopi culture and James Lovelock's Gaia. Leeming has culled myths from Aztec, Greek, African, Australian Aboriginal, Caribbean, Japanese, Muslim, Hittite, Celtic, Chinese, and Persian cultures, offering one of the most wide-ranging collections of what he calls the "collective dreams of humanity."
The moving story of the life of the woman behind A Raisin in the Sun, the most widely anthologized, read, and performed play of the American stage, by the New York Times bestselling author of Mockingbird: A Portrait of Harper Lee Written when she was just twenty-eight, Lorraine Hansberry's landmark A Raisin in the Sun is listed by the National Theatre as one of the hundred most significant works of the twentieth century. Hansberry was the first Black woman to have a play performed on Broadway, and the first Black and youngest American playwright to win a New York Critics' Circle Award. Charles J. Shields's authoritative biography of one of the twentieth century's most admired playwrights examines the parts of Lorraine Hansberry's life that have escaped public knowledge: the influence of her upper-class background, her fight for peace and nuclear disarmament, the reason why she embraced Communism during the Cold War, and her dependence on her white husband--her best friend, critic, and promoter. Many of the identity issues about class, sexuality, and race that she struggled with are relevant and urgent today. This dramatic telling of a passionate life--a very American life through self-reinvention--uses previously unpublished interviews with close friends in politics and theater, privately held correspondence, and deep research to reconcile old mysteries and raise new questions about a life not fully described until now.
Widely regarded as one of America's great authors, F. Scott Fitzgerald led a life of drama and extravagance that often overshadowed his writing career. This book refocuses attention on how Fitzgerald viewed and approached the business of writing. Fitzgerald scholar James L. W. West III explores the writer's professional life through personal letters, manuscripts, his business ledger, editions of his novels, and even a "seven-year plan." In assessing these diverse materials, West reveals fascinating details about what led Fitzgerald to follow authorship as a calling, why he took on certain projects, how he managed his finances, and what influenced his writing style. Connecting Fitzgerald's career to his literary texts, West also provides new information on the development and publication history of some of Fitzgerald's most important works, such as The Great Gatsby and Jacob's Ladder. Throughout, West pays close attention to the delicate balance in Fitzgerald's career between money and literary respectability, commerce and art. A keen, engaging, and intimate look at Fitzgerald's day-to-day work of writing for a living, Business Is Good is a must-have for anyone who wants a better understanding of this American literary giant.
CHOSEN AS ONE OF THE BEST BOOKS OF THE YEAR: TIME, NPR, The New Yorker, Kirkus Reviews, Publishers Weekly As we witness monuments of white Western history fall, many are asking how is Shakespeare still relevant? Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his pedestal to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. Combining piercing analysis of race, gender and otherness in famous plays from Antony and Cleopatra to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard asks us neither to idealize nor bury Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society. In inviting new perspectives and interpretations, we may yet prolong and enrich his extraordinary legacy.
While his memory languished under Nazi censorship, Franz Kafka covertly circulated through occupied France and soon emerged as a cultural icon, read by the most influential intellectuals of the time as a prophet of the rampant bureaucracy, totalitarian oppression, and absurdity that branded the twentieth century. In tracing the history of Kafka's reception in postwar France, John T. Hamilton explores how the work of a German-Jewish writer from Prague became a modern classic capable of addressing universal themes of the human condition. Hamilton also considers how Kafka's unique literary corpus came to stimulate reflection in diverse movements, critical approaches, and philosophical schools, from surrealism and existentialism through psychoanalysis, phenomenology, and structuralism to Marxism, deconstruction, and feminism. The story of Kafka's afterlife in Paris thus furnishes a key chapter in the unfolding of French theory, which continues to guide how we read literature and understand its relationship to the world.
Ovid's Tragic Heroines expands our understanding of Ovid's incorporation of Greek generic codes and the tragic heroines, Phaedra and Medea, while offering a new perspective on the Roman poet's persistent interest in these two characters and their paradigms. Ovid presents these two Attic tragic heroines as symbols of different passions that are defined by the specific combination of their gender and generic provenance. Their failure to be understood and their subsequent punishment are constructed as the result of their female "nature," and are generically marked as "tragic." Ovid's masculine poetic voice, by contrast, is given free rein to oscillate and play with poetic possibilities. Jessica A. Westerhold focuses on select passages from the poems Ars Amatoria, Heroides, and Metamorphoses. Building on existing scholarship, she analyzes the dynamic nature of generic categories and codes in Ovid's poetry, especially the interplay of elegy and epic. Further, her analysis of Ovid's reception applies the idea of the abject to elucidate Ovid's process of constructing gender and genre in his poetry. Ovid's Tragic Heroines incorporates established theories of the performativity of sex, gender, and kinship roles to understand the continued maintenance of the normative and abject subject positions Ovid's poetry creates. The resulting analysis reveals how Ovid's Phaedras and Medeas offer alternatives both to traditional gender roles and to material appropriate to a poem's genre, ultimately using the tragic code to introduce a new perspective to epic and elegy.
Layer by layer, talking through time itself, these tales of the ancient gods and goddesses make up the bedrock of the mythological landscapes of these islands. Through the ages this has been the meeting place of successive cultures, each bringing their own stories to glorify those beings with super human powers. Despite their immortality, these divinities are nevertheless vulnerable, depending on the voices and memories of people to celebrate their wondrous exploits. Between these covers you will meet the divinities once revered throughout Britain and Ireland, not through lists in some dusty encyclopedia, but through the stories of their deeds, famous and infamous in equal part. The reader will enjoy the tales themselves and in the unfolding insights they bring to the different cultures that they represent.
Lady Augusta Gregory's collection and translation of Irish folk legends brings, as Yeats observed, 'Ireland's gift of imagination to the world'.Following on from the bestselling Irish Myths and Legends: Gods and Fighting Men, this second volume, originally titled Cuchulain of Muirthemne, tells of the brave exploits of Ireland's answer to Achilles, the fearless Cuchulain and the Red Branch of Ulster, as well as the overpowering love of his wife Emer.Forming part of the bedrock of Gaelic legend, and translated faithfully from the idiom of Irish oral storytellers, this new volume is essential reading for anyone with an interest in Gaelic culture.
The Kathasaritsagara is a combination of simultaneously innocent and sophisticated folk stories bringing forth both common sense and highly sophisticated Sanskrit writing. It paints a vivid picture of a most particular part of India at one moment in history, and yet it tells stories that are the Indian variants - often the Indian sources - of stories told around the world. Arisha Sattar's translations bring these stories to life in a modern way, while retaining their ancient meanings.
Print books are arranged on the shelf in Library of Congress Call Number order. Each call number begins with an alphanumeric base (e.g., "BF109.J8") that is followed by a cutter and a date of publication (e.g., "A25 1993"). See a librarian if you need assistance.
Call Number Range (Where to find books on the bookshelves)
To find books that are available to you through the RCBC Library and the Burlington County Library System (BCLS), click on Catalog on the library homepage.
Enter your search terms in the keyword search box.
To see books only at the RCBC Library, check the box on the left for "RCBC - Mount Laurel".
Click "Find it" to see the book's call number. The call number tells you where to find the book in the library. If you need assistance, just ask a librarian!
Click "Request it" to put the book on hold. You will need to sign in with your library barcode. Don't have a barcode yet? Fill out the form here or speak to a librarian.
RCBC Library is part of the Burlington County Library System (BCLS)!
Your RCBC Library barcode allows you to check out physical material at other BCLS branches. (A separate BCLS Library card is needed to access their online resources.)
If another branch has a book that you are looking for, either call them to place it on hold for you, or as a RCBC librarian to call for you.
Note: a book that shows up as being in another branch may be currently in use by another patron. Save yourself a trip and call to double check the book's availability!
Inter-library Loans
If a book that you want is not available in the RCBC Library or BCLS, we can attempt to order the book from an outside library to be delivered to the RCBC Library. Note: this method may take 2 weeks or longer for the book to arrive at RCBC.
To order a book via inter-library loan, please either fill out a blank form from JerseyCat or contact Debbie Kolodziej at dkolodzie@rcbc.edu.
Faculty Book Requests
Research assistance - help finding sources, evaluating sources
Online workshops for citing and plagiarism are held throughout the semester. To request a citing workshop, please email library@rcbc.edu