A STIRRING GRAPHIC NOVEL OF THE HAITIAN REVOLUTION The end of slavery started in what was then San Domingo. In 1791, the enslaved people of themost prized French sugar plantation colony revolted against their masters. For over twelveyears, against a backdrop of the French Revolution, they fought an epic black liberation strugglefor control of the island. Theirs was the first and only successful slave revolution. It was thecreation of Haiti as a nation, the first independent black republic outside of Africa, and aninternational inspiration to the persecuted and enslaved. This is the impassioned andbeautifully drawn story of the Haitian Revolution and its incredible leader: ToussaintLouverture. The text of this graphic novel is a play by C. L. R. James that opened in London in 1936 with PaulRobeson in the title role. For the first time, black actors appeared on the British stage in a workby a black playwright. The script had been lost for almost seventy years when a draft copy wasdiscovered among James's archives. Now this extraordinary drama has been reimagined byartists Nic Watts and Sakina Karimjee.
The Untold Story of Women of Color in the League of Women Voters explores ways in which these women have been marginalized and recognizes how their contributions will positively influence the organization as it moves into its next 100 years.On February 14, 2020, the League of Women Voters of the United States celebrated the 100th anniversary of its founding. Although women of color have always made significant contributions to women's suffrage and the women's movements, their contributions, particularly as they relate to the League of Women Voters (LWV), have been marginalized and relegated to the footnotes of the organization's history. The Untold Story of Women of Color in the League of Women Voters adds a new dimension to these conversations. The book is structured to show the progression of the relationship between the League of Women Voters and its members of color as manifested in changes to its policies, practices, symbols, and messaging. It begins with the suffrage movement and continues until the celebration of the 100th anniversary of the League and uses actual correspondence, convention minutes, existing League histories, and personal accounts to tell the League story. Chapter titles disclose the philosophical shifts in attitude at each stage of the organization's evolution.
This inspiring, true story of a Black community sheds new light on the history of segregation and inequity in American education The system of educational apartheid that existed in the United States until the Brown v. Board of Education decision and its aftermath has affected every aspect of life for Black Americans. Dirt Don't Burn is the riveting narrative of an extraordinary community that overcame the cultural and legal hurdles of systematic racism. Dirt Don't Burn describes how Loudoun County, Virginia, which once denied educational opportunity to Black Americans, gradually increased the equality of education for all children in the area. The book includes powerful stories of the largely unknown individuals and organizations that brought change to enduring habits of exclusion and prejudice toward African Americans. Dirt Don't Burn sheds new light on the history of segregation and inequity in American history. It provides new historical details and insights into African American experiences based on original research through thousands of previously lost records, archival NAACP files, and records of educational philanthropies. This book will appeal to readers interested in American history, African American history, and regional history, as well as educational policy and social justice.
Freedom Libraries: The Untold Story of Libraries for African-Americans in the South. As the Civil Rights Movement exploded across the United States, the media of the time was able to show the rest of the world images of horrific racial violence. And while some of the bravest people of the 20th century risked their lives for the right to simply order a cheeseburger, ride a bus, or use a clean water fountain, there was another virtually unheard of struggle--this one for the right to read. Although illegal, racial segregation was strictly enforced in a number of American states, and public libraries were not immune. Numerous libraries were desegregated on paper only: there would be no cards given to African-Americans, no books for them read, and no furniture for them to use. It was these exact conditions that helped create Freedom Libraries. Over eighty of these parallel libraries appeared in the Deep South, staffed by civil rights voter registration workers. While the grassroots nature of the libraries meant they varied in size and quality, all of them created the first encounter many African-Americans had with a library. Terror, bombings, and eventually murder would be visited on the Freedom Libraries--with people giving up their lives so others could read a library book. This book delves into how these libraries were the heart of the Civil Rights Movement, and the remarkable courage of the people who used them. They would forever change libraries and librarianship, even as they helped the greater movement change the society these libraries belonged to. Photographs of the libraries bring this little-known part of American history to life.
WINNER OF THE 2023 PULITZER PRIZE IN NONFICTION WINNER OF THE DAYTON LITERARY PEACE PRIZE FINALIST FOR THE NATIONAL BOOK AWARD AND LOS ANGELES TIMES BOOK PRIZE; FINALIST FOR THE J. ANTHONY LUKAS PRIZE; A BCALA 2023 HONOR NONFICTION AWARD WINNER. A landmark biography by two prizewinning Washington Post reporters that reveals how systemic racism shaped George Floyd's life and legacy--from his family's roots in the tobacco fields of North Carolina, to ongoing inequality in housing, education, health care, criminal justice, and policing--telling the story of how one man's tragic experience brought about a global movement for change. "It is a testament to the power of His Name Is George Floyd that the book's most vital moments come not after Floyd's death, but in its intimate, unvarnished and scrupulous account of his life . . . Impressive." --New York Times Book Review (Editors' Choice) "Since we know George Floyd's death with tragic clarity, we must know Floyd's America--and life--with tragic clarity. Essential for our times." --Ibram X. Kendi, author of How to Be an Antiracist "A much-needed portrait of the life, times, and martyrdom of George Floyd, a chronicle of the racial awakening sparked by his brutal and untimely death, and an essential work of history I hope everyone will read." --Henry Louis Gates, Jr., author of The Black Church: This Is Our Story, This Is Our Song The events of that day are now tragically familiar: on May 25, 2020, George Floyd became the latest Black person to die at the hands of the police, murdered outside of a Minneapolis convenience store by white officer Derek Chauvin. The video recording of his death set off the largest protest movement in the history of the United States, awakening millions to the pervasiveness of racial injustice. But long before his face was painted onto countless murals and his name became synonymous with civil rights, Floyd was a father, partner, athlete, and friend who constantly strove for a better life. His Name Is George Floyd tells the story of a beloved figure from Houston's housing projects as he faced the stifling systemic pressures that come with being a Black man in America. Placing his narrative within the context of the country's enduring legacy of institutional racism, this deeply reported account examines Floyd's family roots in slavery and sharecropping, the segregation of his schools, the overpolicing of his community amid a wave of mass incarceration, and the callous disregard toward his struggle with addiction--putting today's inequality into uniquely human terms. Drawing upon hundreds of interviews with Floyd's closest friends and family, his elementary school teachers and varsity coaches, civil rights icons, and those in the highest seats of political power, Washington Post reporters Robert Samuels and Toluse Olorunnipa offer a poignant and moving exploration of George Floyd's America, revealing how a man who simply wanted to breathe ended up touching the world.
The First Comprehensive Investigation into the First Uprising Against Slavery in North America At 2 a.m. on April 7, 1712, a fire broke out in New York City's North Ward. Unbeknown to the residents who roused themselves to combat the flames, the blaze had been started with murderous intent. A group of at least twenty-four enslaved West African men and women, mostly Akan from modern-day Ghana, had long plotted this moment. Armed with guns, daggers, swords, axes, and clubs, they fell upon their enslavers. In the next few frantic moments, eight Europeans were killed and seven were wounded. The perpetrators were rounded up, jailed, and put on public trial. Twenty enslaved men and one woman were executed or transported for carrying out the plot. As the first event of its kind to take place in the North American colonies, this revolt was the progenitor of those that followed--it inspired, the Stono Rebellion of 1739, the New York Conspiracy of 1741, and Nat Turner's 1831 insurrection. When I Die, I Shall Return to My Own Land: The 1712 New York City Slave Revolt is the first comprehensive investigation into this major event in the history of slavery in North America. Consulting court records, correspondence, and the minutes of the various colonial councils, as well as a wide range of sources related to eighteenth-century slavery, historian Ben Hughes vividly recreates early colonial New York, the lives of its enslaved inhabitants, the factionalism among the city's Dutch and English elites, and their precarious hold on Manhattan Island in the face of French and Native American threats. Hughes traces the origins of the New York rebels, details how they came to be enslaved, and recreates the shadowy dealings that took place between African polities, European and American slavers, and New York merchants. The forerunners of a movement which continues to this day, the deeds of these original African American rebels have now been all but forgotten. Here, Hughes attempts to redress this imbalance by recovering their story.
An inside look at Black LGBTQ college students and their experiences Black and Queer on Campus offers an inside look at what life is like for LGBTQ college students on campuses across the United States. Michael P. Jeffries shows that Black and queer college students often struggle to find safe spaces and a sense of belonging when they arrive on campus at both predominantly white institutions and historically black colleges and universities. Many report that in predominantly white queer social spaces, they feel unwelcome and pressured to temper their criticisms of racism amongst their white peers. Conversely, in predominantly straight Black social spaces, they feel ignored or pressured to minimize their queer identity in order to be accepted. This fraught dynamic has an impact on Black LGBTQ students in higher education, as they experience different forms of marginalization at the intersection of their race, gender, and sexuality. Drawing on interviews with students from over a dozen colleges, Jeffries provides a new, much-needed perspective on the specific challenges Black LGBTQ students face and the ways they overcome them. We learn through these intimate portraits that despite the gains of the LGBTQ rights movement, many of the most harmful stereotypes and threats to black queer safety continue to haunt this generation of students. We also learn how students build queer identities. The traditional narrative of "coming out" does not fit most of these students, rather, Jeffries describes a more gradual transition to queer acceptance and pride. Black and Queer on Campus sheds light on the oft-hidden lives of Black LGBTQ students, and how educational institutions can better serve them. It also highlights the quiet beauty and joy of Black queer social life, and the bonds of friendship that sustain the students and fuel their imagination.
2023 Ralph J. Gleason Music Book Award, Rock & Roll Hall of Fame 2023 ARSC Awards for Excellence in Historical Recorded Sound Research, Association for Recorded Sound Collections How Black musicians have changed the country music landscape and brought light to Black creativity and innovation. After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work--the first book on Black country music by a Black writer--Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre. Informed by queer theory and Black feminist scholarship, Royster's book elucidates the roots of the current moment found in records like Tina Turner's first solo album, Tina Turns the Country On! She reckons with Black "bros" Charley Pride and Darius Rucker, then chases ghosts into the future with Valerie June. Indeed, it is the imagination of Royster and her artists that make this music so exciting for a genre that has long been obsessed with the past. The futures conjured by June and others can be melancholy, and are not free of racism, but by centering Black folk Royster begins to understand what her daughter hears in the banjo music of Our Native Daughters and the trap beat of Lil Nas X's "Old Town Road." A Black person claiming country music may still feel a bit like a queer person coming out, but, collectively, Black artists and fans are changing what country music looks and sounds like--and who gets to love it.
With the US Supreme Court confirmation of Ketanji Brown Jackson, "it makes sense to revisit the life and work of another Black woman who profoundly shaped the law- Constance Baker Motley" (CNN). The first major biography of one of our most influential judges-an activist lawyer who became the first Black woman appointed to the federal judiciary-that provides an eye-opening account of the twin struggles for gender equality and civil rights in the 20th Century. "A must-read for anyone who dares to believe that equal justice under the law is possible and is in search of a model for how to make it a reality." -Anita Hill Born to an aspirational blue-collar family during the Great Depression, Constance Baker Motley was expected to find herself a good career as a hair dresser. Instead, she became the first black woman to argue a case in front of the Supreme Court, the first of ten she would eventually argue. The only black woman member in the legal team at the NAACP's Inc. Fund at the time, she defended Martin Luther King in Birmingham, helped to argue in Brown vs. The Board of Education, and played a critical role in vanquishing Jim Crow laws throughout the South. She was the first black woman elected to the state Senate in New York, the first woman elected Manhattan Borough President, and the first black woman appointed to the federal judiciary. Civil Rights Queen captures the story of a remarkable American life, a figure who remade law and inspired the imaginations of African Americans across the country. Burnished with an extraordinary wealth of research, award-winning, esteemed Civil Rights and legal historian and dean of the Harvard Radcliffe Institute, Tomiko Brown-Nagin brings Motley to life in these pages. Brown-Nagin compels us to ponder some of our most timeless and urgent questions--how do the historically marginalized access the corridors of power? What is the price of the ticket? How does access to power shape individuals committed to social justice? In Civil Rights Queen, she dramatically fills out the picture of some of the most profound judicial and societal change made in twentieth-century America.
In Muhammad Ali: A Humanitarian Life, Margueritte Shelton details Muhammad Ali's record-breaking achievements in the boxing ring and shows how the "People's Champion" transformed his success into a powerful platform to further his fight against inequality, injustice, and oppressive politics. Ali rose to greatness during a violent decade of protests and revolutionary movements, and Shelton vividly portrays the personal journey of this bold young dreamer as he pursued athletic glory to become a champion in the ring and a champion for human rights. Featuring a rare collection of letters as well as exclusive interviews, this book offers unique personal perspectives on the man who became world-renowned as the "Greatest of All Time." With an emphasis on Ali's humanitarian endeavors, Muhammad Ali reveals that the champion's greatest achievement was his lifelong fight to transform the world as a messenger of peace.
This is not a complete list of everything that RCBC has, but a list of suggested reading. Please check out our catalog or ask a librarian for more suggestions!
Betty Shabazz by
Groundbreaking biography of Malcolm X's widow based on extensive interviews with those who knew Shabazz as well as countless records and documents, including recently declassified FBI, CIA and New York Police files.
Daughters of Thunder by
A priceless reference work in the history of Christian preaching that will revitalize the preaching of the twenty first century. --Cheryl TownsAnd Gilkes, John D. and Catherine T. MacArthur associate professor of African American studies and sociology, Colby College This historic collection of never-before-published sermons by African American women preachers gives voice to the long-ignored founding mothers of the African American church. It provides long overdue access to the original text of the sermons coupled with expert contextual analysis by Dr. Bettye Collier-Thomas, a respected scholar of African American history. These sermons reveal women of great faith, courage, and wisdom and cover a range of topics, from racial and gAnder discrimination in the church and society to the tenets of their shared theology. Addressing causes and issues of Anduring importance, these sermons still resonate today and help us to understand the past. In a special chapter, Collier-Thomas tells the story of the earliest black women preachers who, while their sermons have yet to be unearthed, greatly influenced both their contemporaries and those who followed by their courageous claiming of the pulpit. Daughters of Thunder sheds new light on an important chapter in American history. Preachers will find within these pages inspiration for their own sermons. Bettye Collier-Thomas is associate professor of history and director of the Temple University Center for African American History and Culture.
The Book of African Names by 
Notable Caribbeans and Caribbean Americans by
This is the first major biographical dictionary devoted exclusively to celebrating Caribbeans and Caribbean Americans who have made significant contributions to their society and beyond. More than 160 profiles feature historical and contemporary figures from every Caribbean island, the United States, and even England and Canada, and from a diverse range of fields such as acting, sports, political activism, and more. Selection criteria included the notable demonstration of a Caribbean ethos or style, combined with a lasting and novel impact. Individual narrative entries discuss family background, education, challenges, and achievements. The breadth of coverage in Notable Caribbeans and Caribbean Americans will enlighten and inspire students and general readers alike. Many lesser known role models, such as labor activist and educator Antonia Pantoja and political philosopher Frantz Fanon, are presented along with engaging portraits of better known personalities like reggae superstar Bob Marley and baseball great Sammy Sosa. Bibliographical sources for further research complement each entry. A wide selection of photographs accompanies the text.
The 20th Century Civil Rights Movement by
The book covers major aspects of the 20th Century Civil Rights Movement. It is not the standard text on the topic that is usually found because it uses sources directly associated with those whom led and marched on the campaigns. Too often the men and women who knew were an integral part of the civil and human rights struggle are overlooked by those who write on the subject in the Ivory Tower of academia. This book makes a strong effort to reference the voices of those who knew Dr. Martin Luther King Jr. on a personal and professional level. The same goes for Minister Malcolm X; who was not part of the mainstream civil rights organizations yet an integral part of the era who cannot be dismissed. Available in both print and eBook (audio-accessible), The 20th Century Civil Rights Movement: An Africana Studies Perspective: is an important book for our times covering the history of the Civil Rights Movement that leads to the present times. is written in an engaging and accessible style this book will be perfect for college students and the general reader. is written by an author with almost thirty years' teaching experience in higher education and has addressed student questions concerning the Civil Rights Movement he's received over the decades. is based on engagement with sources and writers who experienced working and interacting with Dr. Martin Luther King Jr., Malcolm X and other key actors in the Civil Rights Movement era. Topics covered: the historical context of the African American experience; catalysts for the movement; the emergence of Dr. Martin Luther King Jr; from the sit-ins to Freedom Riders and Freedom Summer; Minister Malcolm X and the Nation of Islam; white liberals and problematic gradualism; Black Power and the Black Panther Party era; Black women and their contributions to the freedom struggle; the assassination of Dr. Martin Luther King Jr.; and the legacy of the Civil Rights Movement in relation to the present. This book is written for undergraduates and the general reader in order to give an account of those who struggled so that future generations could be free of racialized discrimination. They may not have succeeded entirely in their quest for cultural, social, economic and political justice, but there is no doubt that whatever freedoms enjoyed today are of a consequence to those that gave their lives to the greatest struggle of the 20th Century for freedom from oppression.
Love Awaits by
This nonfiction equivalent to the bestsellingWaiting to ExhaleandWild Women Don't Wear No Bluesshowcases the frank, hopeful, and defiant voices of 26 African American women. Arranged by topic, these interviews on love, sex, and growing up in the African American culture examine both the positive and negative aspects of women's relationships with men.Love Awaitsis a book that women will read...and recommend to others. From the Trade Paperback edition.
You Will Know My Name by
Looking at Carolynn Brooks, people always saw someone who had her act together: a lovely wife, a caring mother, and an ambitious talent rising in the ranks of corporate America. As it turned out, she would one day be vice president of a Fortune 500 company, even when that career path was almost unheard of for a black woman without a college education. What people didn't see was Carolynn scrambling to take off her glasses before her husband hit her. They didn't see the harassment at work or the racist notes left in her mailbox. They didn't see her standing in the doorway of her children's room, watching them sleep and wondering if she could go on like this for even one more day. She lived a fast-paced life, often just trying to make it through. Then, after her mother died, Carolynn was sifting through her mother's belongings and found three birth certificates with three different names for the same baby-her. She embarked on a journey to discover the truth of her complicated family history, make peace with the past, and inspire others to persevere, like her, in the face of daunting obstacles. In You Will Know My Name, Carolynn takes readers by the hand and shows them what it means to PUSH-persevere until something happens-believing there is purpose in it all. She shares how time and again, with bold determination and ever-present faith, she's done what people said she couldn't do.
W e B du Bois by
The second volume of the Pulitzer Prize--winning biography that "The Washington Post" hailed as "an engrossing masterpiece" Charismatic, singularly determined, and controversial, W.E.B. Du Bois was a historian, novelist, editor, sociologist, founder of the NAACP, advocate of women's rights, and the premier architect of the Civil Rights movement. His hypnotic voice thunders out of David Levering Lewis's monumental biography like a locomotive under full steam. This second volume of what is already a classic work begins with the triumphal return from WWI of African American veterans to the shattering reality of racism and lynching even as America discovers the New Negro of literature and art. In stunning detail, Lewis chronicles the little-known political agenda behind the Harlem Renaissance and Du Bois's relentless fight for equality and justice, including his steadfast refusal to allow whites to interpret the aspirations of black America. Seared by the rejection of terrified liberals and the black bourgeoisie during the Communist witch-hunts, Du Bois ended his days in uncompromising exile in newly independent Ghana. In re-creating the turbulent times in which he lived and fought, Lewis restores the inspiring and famed Du Bois to his central place in American history.
The Autobiography of Martin Luther King, Jr by
Celebrated Stanford University historian Clayborne Carson is the director and editor of the Martin Luther King Papers Project; with thousands of King's essays, notes, letters, speeches, and sermons at his disposal, Carson has organized King's writings into a posthumous autobiography. In an early student essay, King prophetically penned: "We cannot have an enlightened democracy with one great group living in ignorance.... We cannot have a nation orderly and sound with one group so ground down and thwarted that it is almost forced into unsocial attitudes and crime." Such statements, made throughout King's career, are skillfully woven together into a coherent narrative of the quest for social justice. The autobiography delves, for example, into the philosophical training King received at Morehouse College, Crozer Theological Seminary, and Boston University, where he consolidated the teachings of Afro-American theologian Benjamin Mays with the philosophies of Locke, Rousseau, Gandhi, and Thoreau. Through King's voice, the reader intimately shares in his trials and triumphs, including the Montgomery Boycott, the 1963 "I Have a Dream Speech," the Selma March, and the 1964 Nobel Peace Prize. In one of his last speeches, King reminded his audience that "in the final analysis, God does not judge us by the separate incidents or the separate mistakes that we make, but by the total bent of our lives." Carson's skillful editing has created an original argument in King's favor that draws directly from the source, illuminating the circumstances of King's life without deifying his person. --Eugene Holley Jr.
When They Call You a Terrorist by
From one of the co-founders of the Black Lives Matter movement comes a poetic memoir and reflection on humanity. Necessary and timely, Patrisse Cullors' story asks us to remember that protest in the interest of the most vulnerable comes from love. Leaders of the Black Lives Matter movement have been called terrorists, a threat to America. But in truth, they are loving women whose life experiences have led them to seek justice for those victimized by the powerful. In this meaningful, empowering account of survival, strength, and resilience, Patrisse Cullors and asha bandele seek to change the culture that declares innocent black life expendable.
Sojourner Truth by
A brief biography of the northern slave who after gaining her freedom became the first black woman to give antislavery lectures in the United States.
Up from Slavery by
"Contexts and Composition History" includes a selection of letters between Washington and his editor, Lyman Abbott, that reveals the process by which Up From Slavery was planned and written. Reviews from The Nation, North American Review, and Colored American Magazine offer examples of contemporary reaction to the book. An excerpt from My Larger Education includes Washington's impressions of Frederick Douglass and of his African American critics (among them W. E. B. Du Bois) and reveals his reaction to the mounting criticism of his social, economic, and political programs during the last years of his life. "Criticism" offers a collection of eight essays that present a variety of perspectives on Up From Slavery by W. E. B. Du Bois, Kelly Miller, August Meier, Louis R. Harlan, Sidonie Smith, James M. Cox, Houston A. Baker, Jr., and William L. Andrews. Together, these essays represent ninety years of the best critical and historical analysis of Up From Slavery and its author. A Chronology and Selected Bibliography are included.
Incidents in the Life of a Slave Girl by
A haunting, evocative recounting of her life as a slave in North Carolina, and her final escape and emancipation, Jacobs' narrative, written between 1853 and 1858 and published in 1861, is one of the most important books ever written documenting the traumas and horrors of slavery in the antebellum South.
Harriet Tubman by
Details Harriet Tubman's life, experiences, and efforts to aid slaves in escaping to the North, as well as her assistance to the Union cause during the Civil War.
Frederick Douglass by
For Frederick Douglass, the iconic nineteenth-century slave and abolitionist, the foundations for his arguments in support of racial equality rested on natural rights and natural law-and the bold proclamation of the Declaration of Independence that all men are created equal. But because many Americans never observed this principle--and in Douglass's day even renounced it--he made it his life's work to move the nation toward this vision of a more noble liberalism. Peter Myers now considers that effort and the natural rights arguments by which Douglass confronted race in America. Myers examines the philosophic core of Douglass's political thought, offering a greater understanding of its depth and coherence. He depicts Douglass as the leading thinker to apply the Founders' doctrine of natural rights to the plight of African Americans--an activist who grounded his arguments on the rights guaranteed by the Constitution and the inherent injustice not only of slavery but of any form of racial superiority. Myers first reconsiders Douglass's descriptive analysis of slavery, developing his arguments for its natural wrongness and for its natural weakness in conjunction with the right of resistance. He then examines Douglass's understandings of civil government in general and of the U.S. constitutional order in particular, exploring his argument on the Constitution's relation to slavery and his thoughts on the powers and duties of the federal and state governments in the matter of postslavery race relations-including new insight into Douglass's controversial "do nothing" doctrine. Myers argues that Douglass's political thought at its core is both more coherent and more defensible in substance than his critics acknowledge. He maintains that Douglass was right in finding the natural rights principles of the Declaration a sufficient theoretical basis for addressing the nation's racial problems and contends that his hopefulness for the demise of slavery and white supremacy was marked by moderation and realism. Myers finds in Douglass's political thought the foundations of a revitalized argument for the mainstream civil rights, integrationist tradition of African American political thought. His analysis offers a new way of looking at an important thinker, as well as a compelling case for hoping that race relations in America will improve over time.
The Audacity of Hope by
In July 2004, Barack Obama electrified the Democratic National Convention with an address that spoke to Americans across the political spectrum. One phrase in particular anchoered itself in listeners' minds, a reminder that for all the discord and struggle to be found in US history, the people have always been guided by a dogged optimism in the future, or what Senetor Obama called the audacity of hope.' In this book Obama calls for a different brand of politics - a politics free from the fear of losing, raising money and the media. A politics for the future.'
Black Ice by
Cary was a 15-year-old black student from Philadelphia who won a scholarship to an elite prep school in New England. She describes her transition to an unfamiliar life & the racism over which she triumphed.
The Rebellious Slave by
How did the bloodiest slave uprising in American history--once thought to have involved hundreds of conspirators, black and white, free and enslaved--come to be known simply as "Nat Turner's Rebellion"? And why does the enigmatic figure of the rebellious slave resonate so powerfully across American history? In this richly detailed study spanning the eras of slavery, Jim Crow, and civil rights, Scot French places the contested history and enduring memory of Nat Turner's Rebellion within the broader context of the black freedom struggle. French builds his narrative around close readings of historical texts, both famous and obscure, from early American prophecies of slave rebellion to William Styron's 1967 Pulitzer Prize-winning novel about Turner. He devotes considerable attention to the interplay between quasi-official narratives, such as "The Confessions of Nat Turner" by Thomas R.Gray, and less authoritative sources, such as rumor and oral tradition. Whereas most historians accept "The Confessions" as gospel, French presents several compelling counternarratives that point to a wider conspiracy. A groundbreaking work of American history, analogous to Merrill D.Peterson's Abraham Lincoln in American Memory and Nell Painter's Sojourner Truth: A Life, a Symbol, The Rebellious Slave will alter our views of both slavery and its complex, ever-changing legacy. 'Nat Turner was neither the first nor the last American slave to rise in arms against his oppressors,' French writes. 'Yet he stands alone in American culture as the epitome of the rebellious slave, a black man whose words and deeds challenged the white slaveholding South and awakened a slumbering nation. A maker of history in his own day, Turner has been made to serve the most pressing needs of every generation since. In remembering Nat Turner, Americans must boldly confront--or deftly evade, at their peril--the intertwined legacies of slavery and racism in a nation founded on revolutionary ideals of freedom and equality.'
Rosa Parks by
"Even those familiar with her name will realize on reading this engrossing account how little they really know of Parks's life and the events that surrounded the dawning Civil Rights movement. Setting her historic refusal to give up her seat on a bus in the context of a life that began in 1913 in rural Alabama dramatizes the fact that her action came at a time and place that gave it the force to challenge the rigors of a lopsided system of justice. Few will be unmoved by the tactics employed by whites to disrupt the subsequent boycott; at the center, always, is Parks's dignified, calm recounting of outrages against her and other women and men, giving her words weight and impact as no raw fury could. Like sitting at the knee of an elder with much to tell, reading her story leads to ever more questions ('What was it really like then?') and shock that such injustices not only existed in the recent past but still linger." - Kirkus Reviews
Unafraid of the Dark by
In this stunning memoir, Rosemary Bray describes growing up poor in Chicago in the 1960s and becoming one of the first black women at Yale--and she shows why changes in the welfare system make it virtually impossible for her inspiring story to happen today. "Certain things shape you, change you forever," Bray writes. "Years later, long after you think you've escaped, some ordinary experience flings you backward into memory. Being poor is like that. Living surrounded by fear and rage is like that. I grew up hating the cold, dreading the approach of night. Thirty years later, a too-cold room at night can trigger a flash of terror." When Rosemary Bray's mother decides to apply for welfare, it creates a rift between her parents, and yet it proves to be the salvation of the family, enabling the Bray children to be educated--and education was the one thing her parents agreed upon as the only way to a better life. Bray writes movingly about her resourceful mother, who joins the Catholic church and shepherds the children to school. The nuns at the Catholic school spot Rosemary's potential and arrange for her to become one of the few black children at Parker, a predominantly white private school on the other side of Chicago. In a series of powerful vignettes, Bray describes the shock of discovering the discrepancies between her life and the lives of her affluent classmates. She writes of the experiences that gave her hope: a teacher fostering her development and choosing her to play the title role in Alice in Wonderland; the thrill of being accepted at Yale; falling in love; becoming a journalist; and, ultimately, becoming a mother. In this beautiful memoir about how the dark in a life can be overcome, race, gender, and social problems are explored as a fine writer tells the story of a life.
True Vine by
In the aftermath of the English Civil War, the Restoration overturned England's medieval outlook and a new way of looking at the world allowed the genius of Isaac Newton (b. 1642) and his contemporaries to flourish. Newton had a long and eventful life apart from his scentific discoveries. He was born at the beginnings of the Civil War, his studies were disrupted by the twin disasters of the Great Plague and the Fire of London; a brilliant and enigmatic genius, Newton dabbled in alchemy, wrote over a million words on the Bible, quarrelled with his contemporaries and spent his last years as Master of the Royal Mint as well as President of the Royal Society. This book sets Newton's life and work against this dramatic intellectual rebirth; among his friends and contemporaries were Samuel Pepys, the colourful diarist, John Evelyn, the eccentric antiquarian, the astronomers Edmund Halley and John Flamsteed, and Christopher Wren, the greatest architect of his age. They were all instrumental in the founding of the Royal Society and their aim was nothing less than to examine the whole field of scientific knowledge.
Black on Both Sides by
Winner of the John Boswell Prize from the American Historical Association 2018 Winner of the William Sanders Scarborough Prize from the Modern Language Association 2018 Winner of an American Library Association Stonewall Honor 2018 Winner of Lambda Literary Award for Transgender Nonfiction 2018 Winner of the Sylvia Rivera Award in Transgender Studies from the Center for Lesbian and Gay Studies The story of Christine Jorgensen, America's first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives--ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence. Drawing on a deep and varied archive of materials--early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films--Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the "father of American gynecology," to the negation of blackness that makes transnormativity possible. Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of "cross dressing" and canonical black literary works that express black men's access to the "female within," Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don't Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.
Civil Rights Queen by
With the US Supreme Court confirmation of Ketanji Brown Jackson, "it makes sense to revisit the life and work of another Black woman who profoundly shaped the law- Constance Baker Motley" (CNN). The first major biography of one of our most influential judges-an activist lawyer who became the first Black woman appointed to the federal judiciary-that provides an eye-opening account of the twin struggles for gender equality and civil rights in the 20th Century. "A must-read for anyone who dares to believe that equal justice under the law is possible and is in search of a model for how to make it a reality." -Anita Hill Born to an aspirational blue-collar family during the Great Depression, Constance Baker Motley was expected to find herself a good career as a hair dresser. Instead, she became the first black woman to argue a case in front of the Supreme Court, the first of ten she would eventually argue. The only black woman member in the legal team at the NAACP's Inc. Fund at the time, she defended Martin Luther King in Birmingham, helped to argue in Brown vs. The Board of Education, and played a critical role in vanquishing Jim Crow laws throughout the South. She was the first black woman elected to the state Senate in New York, the first woman elected Manhattan Borough President, and the first black woman appointed to the federal judiciary. Civil Rights Queen captures the story of a remarkable American life, a figure who remade law and inspired the imaginations of African Americans across the country. Burnished with an extraordinary wealth of research, award-winning, esteemed Civil Rights and legal historian and dean of the Harvard Radcliffe Institute, Tomiko Brown-Nagin brings Motley to life in these pages. Brown-Nagin compels us to ponder some of our most timeless and urgent questions--how do the historically marginalized access the corridors of power? What is the price of the ticket? How does access to power shape individuals committed to social justice? In Civil Rights Queen, she dramatically fills out the picture of some of the most profound judicial and societal change made in twentieth-century America.
Legendary Pioneers of Black Radio by
After World War II, when thousands of African Americans left farms, plantations, and a southern way of life to migrate north, African American disc jockeys helped them make the transition to the urban life by playing familiar music and giving them hints on how to function in northern cities. These disc jockeys became cultural heroes and had a major role in the development of American broadcasting. This collection of interviews documents the personalities of the pioneers of Black radio, as well as their personal struggles and successes. The interviewees also define their roles in the civil rights movement and relate how their efforts have had an impact on how African Americans are portrayed over the air.
African Americans at War by
A fascinating chronicle of the endeavors of African Americans who fought for their country: this book recounts their stories, their bravery, and their contributions. African Americans at War puts a human face on this neglected area of history. From pre-Revolutionary fighting against the French to cutting-edge combat against Saddam Hussein, these A-Z volumes underscore significant military contributions from African Americans. The two volumes provide comprehensive coverage of aspects including important historical figures; key battles, legislation, and rulings; honors awarded; regiments, formations, and squadrons; and significant places. Individuals portrayed include celebrated Revolutionary hero Crispus Attucks and Lieutenant Vernon J. Baker, who led his platoon in a near suicidal attack on German positions in 1945. Often marginalized in support functions and frequently given suicidal missions, African Americans have served with distinction and honor in all U.S. conflicts. Their stories, endeavors, and bravery are now chronicled in one accessible resource. This set investigates each war, the interwar years, integration periods, and acceptance of African American men and women on the military team. This is a fascinating compendium spanning all U.S. history. * 250+ A-Z entries on the individuals, themes, and concepts surrounding African American military efforts * Substantial chronology of black contributions to the military, from Colonial America to the present * Listing of websites with historical significance for African Americans in the military * Over 100 illustrations * Thematic bibliography
America's First Black General by 
Condi by
A portrait of George W. Bush's national security advisor traces her childhood, early musical ambitions, foreign policies, receipt of the NAACP Image Award, and distinguished career as a scholar, professor, provost, and advisor.
The Complete Kwanzaa by
For the 18 million African Americans who celebrate Kwanzaa--and the millions more who want to know more about it--this comprehensive guide explains the traditional ceremonies, foods, clothing, and history of this joyful and spiritual holiday. A much-needed sourcebook and a welcome gift. Illustrations.
For Every Season by
African traditions are a growing part of black culture and are especially significant to young people seeking a link with their heritage. In For Every Season, Eklof reviews the ceremonies of ancient Africa and America that surround four major passages of the human experience.
Louis Armstrong by
A companion to the touring exhibition includes photos from all stages of Armstrong's career, collages, and paintings from the jazz era.
Bluesland by
Blind Lemon Jefferson, That black snake moan : the music and mystery of Blind Lemon Jefferson / by Alan Govenar -- Lonnie Johnson, Chased by the blues / by Chris Albertson -- Bessie Smith, T'aint nobody's business if I do / by Chris Albertson -- Robert Johnson, Towards a Robert Leroy Johnson Memorial Museum / by Al Young -- T-Bone Walker, Electrifying Texas blues : Aaron "T-Bone" Walker / by Helen & Stanley Dance -- Big Joe Turner, The holler of a mountain jack / by Murray Kempton & Arthur Kempton -- Muddy Waters, Gone to main street / by Pete Welding -- Professor Longhair, Deep south piano and the barrelhouse blues / by Robert Palmer -- B.B. King, From Beale Street to the world / by Pete Welding -- Howlin' Wolf, Chester Burnett : the man who became the Wolf / by Ed Ward -- Etta James, Soul Mama / by David Ritz -- Chuck Berry, Berryland / by Bob Blumenthal.
A Right to Sing the Blues by
All too often an incident or accident, such as the eruption in Crown Heights with its legacy of bitterness and recrimination, thrusts Black-Jewish relations into the news. A volley of discussion follows, but little in the way of progress or enlightenment results--and this is how things will remain until we radically revise the way we think about the complex interactions between African Americans and Jews. A Right to Sing the Blues offers just such a revision. "Black-Jewish relations," Jeffrey Melnick argues, has mostly been a way for American Jews to talk about their ambivalent racial status, a narrative collectively constructed at critical moments, when particular conflicts demand an explanation. Remarkably flexible, this narrative can organize diffuse materials into a coherent story that has a powerful hold on our imagination. Melnick elaborates this idea through an in-depth look at Jewish songwriters, composers, and perfomers who made "Black" music in the first few decades of this century. He shows how Jews such as George Gershwin, Irving Berlin, Al Jolson, and others were able to portray their "natural" affinity for producing "Black" music as a product of their Jewishness while simultaneously depicting Jewishness as a stable white identity. Melnick also contends that this cultural activity competed directly with Harlem Renaissance attempts to define Blackness. Moving beyond the narrow focus of advocacy group politics, this book complicates and enriches our understanding of the cultural terrain shared by African Americans and Jews.
African American Jazz and Rap by
Music is an expressive voice of a culture, often more so than literature. While jazz and rap are musical genres popular among people of numerous racial and social backgrounds, they are truly important historically for their representation of and impact upon African American culture and traditions. Essays offer interdisciplinary study of jazz and rap as they relate to black culture in America. The essays are grouped under sections. One examines an Afrocentric approach to understanding jazz and rap; another, the history, culture, performers, instruments, and political role of jazz and rap. There are sections on the expressions of jazz in dance and literature; rap music as art, social commentary, and commodity; and the future. Each essay offers insight and thoughtful discourse on these popular musical styles and their roles within the black community and in American culture as a whole. References are included for each essay.
Musical Crossroads by
This major new title builds out of Musical Crossroads, one of the 12 permanent exhibitions at the National Museum of African American History and Culture, to present a vibrantly illustrated exploration of 400 years of African American musical culture. Music is the great equalizer around the world. No matter where it originates or what form it takes, it has had a profound role in shaping the human experience and preserving the history of that experience for centuries. African American music originated out of a heritage shaped by the Transatlantic Slave Trade and forced enslavement. The music born out of this shared identity was a means of survival, a treatise on the struggle for freedom, and an agent of social change, and generated a vast array of musical styles and performance traditions that have defined American music. Musical Crossroads explores how objects can expand our understanding of the ways African American music-making continues to shape and influence society. Five thematic chapters are introduced with an essay by Dwandalyn R. Reece, and accompanied by shorter features written by museum staff. Striking images include Johnny Mathis on stage; Bo Diddley's Gretsch Guitar; Nina Simone recording "Don't Let Me Be Misunderstood" to name just a few. Featured objects include Radio Raheem's original boombox used in Spike Lee's 1989 film, Do the Right Thing; the original Public Enemy logo necklace alongside a story from rapper Chuck D about where the group's name comes from; and photos of Queen Latifah taken by Hip-hop photographer Al Pereira while she was filming the music video for "Fly Girl". Numerous illustrated profiles and stories relating to a host of DJs, producers, Black-owned record labels, Black music press, and artists, include magazines like Defender, Blacks Stars, and Vibe; record labels like Vee-Jay, Stax, Motown and Sussex Records; promoters and producers including Berry Gordy Jr, Isaac Hayes, and Ernie Freeman; as well as artists Otis Redding, Nina Simone, Luther Vandross, Little Richard, Bill Withers, Billie Holiday, Whitney Houston, and Janet Jackson, to name a few - they're all here.
A Century of African American Art by
The Paul R. Jones Collection is one of the oldest, largest, and most comprehensive holdings of African American art in the world. Jones, who was named by Art and Antiques as one of the top one hundredcollectors in the country, began buying paintings, prints, photographs, and sculpture four decades ago and has now amassed over fifteen hundred works, many of them by well-known artists. Among the sixty-six represented in A Century of African American Art are Romare Bearden, Elizabeth Catlett, Jacob Lawrence, Henry Osawa Tanner, James Van Der Zee, Carrie Mae Weems, and Hale Woodruff. Lavishly illustrated with over one hundred color photographs, this book provides an important resource for the study of the works included in the Jones collection, the artists who created them, as well as the social and historical contexts that engendered them. The volume brings together ten essays, which examine four issues in American art: portraiture and realism in relation to abstract expressionism, the implications of color, the role of narrative, and the concept of multiple originals. Each essay makes the intentional effort to de-race African American art--not to strip the work of its idiomatic cultural footing, but rather to situate it within the larger picture of the nation's history and cultural traditions. Reflecting the diversity of the collection itself, the contributors come from wide-ranging fields including American art, African American art, African art, art conservation, color theory, photography, and sociology. Together, the eclectic selections make a major contribution to recontextualizing African American scholarship in the broadest sense, while also providing important insights into the Jones collection. Contributors are Marcia R. Cohen, Diana McClintock, Ann Eden Gibson, Winston Kennedy, Debra Hess Norris, Ikem Stanley Okoye, Sharon Pruitt, Carla Williams, and Margaret Andersen.
Creating Their Own Image by
Creating Their Own Image marks the first comprehensive history of African-American women artists, from slavery to the present day. Using an analysis of stereotypes of Africans and African-Americans in western art and culture as a springboard, Lisa E. Farrington here richly details hundreds ofimportant works--many of which deliberately challenge these same identity myths, of the carnal Jezebel, the asexual Mammy, the imperious Matriarch--in crafting a portrait of artistic creativity unprecedented in its scope and ambition. In these lavishly illustrated pages, some of which feature imagesnever before published, we learn of the efforts of Elizabeth Keckley, fashion designer to Mary Todd Lincoln; the acclaimed sculptor Edmonia Lewis, internationally renowned for her neoclassical works in marble; and the artist Nancy Elizabeth Prophet and her innovative teaching techniques. We meetLaura Wheeler Waring who portrayed women of color as members of a socially elite class in stark contrast to the prevalent images of compliant maids, impoverished malcontents, and exotics "others" that proliferated in the inter-war period. We read of the painter Barbara Jones-Hogu's collaboration onthe famed Wall of Respect, even as we view a rare photograph of Hogu in the process of painting the mural. Farrington expertly guides us through the fertile period of the Harlem Renaissance and the "New Negro Movement," which produced an entirely new crop of artists who consciously imbued their workwith a social and political agenda, and through the tumultuous, explosive years of the civil rights movement. Drawing on revealing interviews with numerous contemporary artists, such as Betye Saar, Faith Ringgold, Nanette Carter, Camille Billops, Xenobia Bailey, and many others, the second half ofCreating Their Own Image probes more recent stylistic developments, such as abstraction, conceptualism, and post-modernism, never losing sight of the struggles and challenges that have consistently influenced this body of work. Weaving together an expansive collection of artists, styles, andperiods, Farrington argues that for centuries African-American women artists have created an alternative vision of how women of color can, are, and might be represented in American culture. From utilitarian objects such as quilts and baskets to a wide array of fine arts, Creating Their Own Imageserves up compelling evidence of the fundamental human need to convey one's life, one's emotions, one's experiences, on a canvas of one's own making.
Harlem Renaissance by
A book which brings together the work of Black artists in the USA, who came to prominence in the 1920s. The visual artists of the Harlem Renaissance made their own contributions to the excitement of Black America's great cultural awakening.
African American Architects by
African-American architects have been designing and building houses and public buildings since 1865. Although many of these structures survive today, the architects themselves are virtually unknown. This unique reference work brings their lives and work to light for the first time. Written by 100 experts ranging from architectural historians to archivists, this book contains 160 biographical, A-Z entries on African-American architects from the era of Emancipation to the end of World War II. Articles provide biographical facts about each architect, and commentary on his or her work. Practical and accessible, this reference is complemented by over 200 photographs and includes an appendix containing a list of buildings by geographic location and by architect.
Creative Fire Voices of Triumph by 
Historical Dictionary of African-American Television by
From Amos 'n' Andy to The Jeffersons to Family Matters to Chappelle's Show, this volume covers it all with entries on all different genres--animation, documentaries, sitcoms, sports, talk shows, and variety shows--and performers such as Muhammad Ali, Louis Armstrong, Bill Cosby, and Oprah Winfrey. Additionally, information can be found on general issues, ranging from African American audiences and stereotypes through the related networks and organizations. This book has hundreds of cross-referenced entries, from A to Z, in the dictionary and a list of acronyms with their corresponding definitions. The extensive chronology shows who did what and when and the introduction traces the often difficult circumstances African American performers faced compared to the more satisfactory present situation. Finally, the bibliography is useful to those readers who want to know more about specific topics or persons.
The First Black Actors on the Great White Way by
Three Plays for the Negro Theater by Ridgely Torrence was the first production on Broadway to feature an all black cast. Despite early critical acclaim the show closed within a month and received little attention thereafter. Curtis explores both the progress of race relations that led to this production and the reasons for its quick demise.
African American Theater Buildings by
African American theater buildings were theaters owned or managed by blacks or whites for an African American audience. Such theaters were nickelodeons, vaudeville houses, musical houses and neighborhood movie theaters. Although nearly 2000 African American theater buildings existed in the 20th century, very little has been written about them. The 1,850 theater buildings owned or managed from 1900 to 1960, are arranged by state, then by city, and then alphabetically under the name by which they were known to African American audiences. The street address, dates of operation, number of seats, architect, whether it was a member of TOBA (Theater Owners Booking Association), type of theater (nickelodeon, vaudeville, musical, drama or picture), alternate name(s), race and name of manager or owner, whether the audience was mixed, and the fate of the theater are the details given for each. Commentary by theater historians is also provided.
Pioneers of Black Sport by
Brief biographies emphasizing the career achievements of well-known black athletes in baseball, basketball, boxing, and football.
Taboo by
Drawing on the latest scientific research, and addressing all the major sports of North America, award-winning journalist Jon Entine persuasively shows why biology and ancestry are significant components of the stunning ascension of black athletes. Charts throughout.
Josh Gibson by
This illuminating biography introduces an authentic American sports hero and recaptures the mood and style, the excitement and poignance of a world of black baseball that has vanished from the American scene.
Jackie Robinson by
The extraordinary life of Jackie Robinson is illuminated as never before in this full-scale biography by Arnold Rampersad, who was chosen by Jack's widow, Rachel, to tell her husband's story, and was given unprecedented access to his private papers. We are brought closer than we have ever been to the great ballplayer, a man of courage and quality who became a pivotal figure in the areas of race and civil rights. Born in the rural South, the son of a sharecropper, Robinson was reared in southern California. We see him blossom there as a student-athlete as he struggled against poverty and racism to uphold the beliefs instilled in him by his mother--faith in family, education, America, and God. We follow Robinson through World War II, when, in the first wave of racial integration in the armed forces, he was commissioned as an officer, then court-martialed after refusing to move to the back of a bus. After he plays in the Negro National League, we watch the opening of an all-American drama as, late in 1945, Branch Rickey of the Brooklyn Dodgers recognized Jack as the right player to break baseball's color barrier--and the game was forever changed. Jack's never-before-published letters open up his relationship with his family, especially his wife, Rachel, whom he married just as his perilous venture of integrating baseball began. Her memories are a major resource of the narrative as we learn about the severe harassment Robinson endured from teammates and opponents alike; about death threats and exclusion; about joy and remarkable success. We watch his courageous response to abuse, first as a stoic endurer, then as a fighter who epitomized courage and defiance. We see his growing friendship with white players like Pee Wee Reese and the black teammates who followed in his footsteps, and his embrace by Brooklyn's fans. We follow his blazing career: 1947, Rookie of the Year; 1949, Most Valuable Player; six pennants in ten seasons, and 1962, induction into the Hall of Fame. But sports were merely one aspect of his life. We see his business ventures, his leading role in the community, his early support of Martin Luther King Jr., his commitment to the civil rights movement at a crucial stage in its evolution; his controversial associations with Eisenhower, Kennedy, Nixon, Humphrey, Goldwater, Nelson Rockefeller, and Malcolm X. Rampersad's magnificent biography leaves us with an indelible image of a principled man who was passionate in his loyalties and opinions: a baseball player who could focus a crowd's attention as no one before or since; an activist at the crossroads of his people's struggle; a dedicated family man whose last years were plagued by illness and tragedy, and who died prematurely at fifty-two. He was a pathfinder, an American hero, and he now has the biography he deserves. From the Hardcover edition.
No Excuses by
Trailblazing Seattle Seahawks fullback Derrick Coleman Jr.--the first deaf athlete to play offense in the NFL--tells his inspirational journey of persevering through every obstacle, remaining dedicated to the hard work and a no-excuses attitude that ultimately earned him a Super Bowl victory. Great for readers of all ages. Even at a young age, if anyone told Derrick Coleman what he couldn't do, he'd just reply, "Watch me." Diagnosed as hearing-impaired at age three, he faced a potentially limited future, but neither he nor his family were going to let that happen. Now Derrick shares the story of his remarkable journey toward NFL stardom, of the friends and colleagues who cheered him on when skeptics tried to chip away at his confidence, and of how every challenge he faced only strengthened his resolve. At the heart of his story is his unconventional family, whose one constant was always love. When Derrick was misunderstood as "difficult," or bullied and laughed at by schoolmates, he removed his hearing aids and listened instead to his mother's advice: Never let anyone else tell you how far you can go. Playing football became an outlet for Derrick's restless energy and a way of proving he could forge his own path. As a senior at UCLA, he became a standout, an award-winning player who led his team with eleven touchdowns and demonstrated to the world what his heart had known all along: He had what it took to be a champion. No Excuses is more than just Derrick Coleman's story as a sports legend, inspirational role model, and icon. It's a motivating and unique testament to the human spirit, to the potential inside everyone who has ever faced difficult obstacles. It's about aiming high in life, giving it your all, and never ever settling for excuses.
The Greatest by
The Louisville Lip -- Cassius Clay -- The Greatest. Muhammad Ali may be known by more than one name, but his accomplishments, both inside and out of the boxing ring, have earned him a singular place in history as one of the most inspiring figures of the twentieth century. In his riveting portrayal of Ali's spirit and courage, award-winning author Walter Dean Myers also exposes the hazards of boxing -- the sport Ali loved, but which ultimately damaged him and many other greats beyond repair. Through the story of Ali's childhood, his rise as a champion, his politics, and his battle against Parkinsons' disease, readers will come to know the man behind the brash public persona -- the man whose talent and legacy will stir and inspire a new generation of fans.
Brown Sugar by
Spiced with stories of family and friends, sweetened by memories of holidays and celebratory meals, Brown Sugar is a slice of life from African American communities across the country. In this collection of recipes and tales, Joyce White passes along generations of kitchen wisdom and dessert favorites, as well as fresh and creative variations on classic sweets. From the wedding reception-ready Coconut Peach lake to the simple joy of Gingered Tropical Fruits, these are desserts for any occasion. The flavors are comforting and festive, as are the many poignant stories that White shares. A sublime Sweet Potato Cheesecake is passed along from a hardworking mother in California, while Three Sisters Coconut Pie is White's composite of three good friends' favorite pie recipes, each reflecting their unique backgrounds. The results are at once innovative and familiar. Whether you are looking to make the perfect Lemon Meringue Pie or to preserve summer fruit, these recipes will satisfy your sweet tooth and add heirloom-quality recipes to your collection. The complex flavors of Star Anise Peach Ice Cream and West Indian Christmas Cake are within reach of any home cook, thanks to White's masterful guidance and the tips and cook's secrets that she provides. White's recipes encourage creativity, offering suggestions for variations as well as a solid foundation for your own soul-inspired sweets. Brown Sugar is warm, memorable, and universal, and you will be eager to share its recipes and stories, to create your own sweet memories.
Sylvia's Family Soul Food Cookbook by
Sylvia's Family Soul Food Cookbook begins as Sylvia recalls her childhood, when she lived with both her mother and her grandmother -- the town's only midwives. The entire community of Hemingway, South Carolina, shared responsibilities, helped raise all of the children, and worked side by side together every day in the bean fields. Perhaps most important, the community shared its food and recipes. When Sylvia set out to write this cookbook, she decided to hold a cook-off back home in Hemingway at Jeremiah Church. Family and friends of all ages shared their favorite dishes as well as their spirit and love for one another. The recipes offered at the cook-off were then compiled to create this incredible collection, along with many of Sylvia's and the Woods family's own recipes. Here are the kinds of recipes you'd find if you visited the Woods family's home. Sylvia's daughter Bedelia is well known for her Barbecued Beef Short Ribs, which are as sassy and spicy as Bedelia herself. Kenneth, Sylvia's youngest son, has loved to fish ever since he was a child, spending his summers by the fishing hole in Hemingway. Now Kenneth's son, DeSean, enjoys fishing, too. Kenneth's Honey Lemon Tilefish, DeSean's favorite, is just one of Kenneth's special recipes presented here. And there are many, many other wonderful dishes, too. In this remarkable cookbook, Sylvia has gathered more than 125 soul food classics, including mouthwatering recipes for okra, collard greens, Southern-style pound cakes, hearty meat and seafood stews and casseroles, salads, mashed potatoes, macaroni and cheese, and more. These recipes are straight from the heart of the Woods community of family and friends. Now Sylvia gives them to you to share with your loved ones. Bring them into your home and experience a little bit of Hemingway's soul.
Soul Food by
When Joyce White moved to New York City from Alabama, she left small-town life behind and landed ajob as a food editor at a major women's magazine. Weekends, however, found her visiting churches in Harlem and Bedford-Stuyvestant, looking for a taste of home. Food has long been a part of the spiritual life of African-American churches, and what she found there, along with what she missed from home, was the comforting blend of cooking and fellowship that feeds both the body and soul. In this warm and joyful collection, White offers more than 150 recipes for the foods that worshipers look forward to after services, and she captures the spirit of these sociable meals with warm, conversational and occasionally poignant reflections from African-American churchgoers around the United States. "We don't just come to church service and leave," says a retired nurse who directs hospitality for a large church in Los Angeles. "Many of us stay here half the day. That way we get a chance to rub shoulders and see what is going on or going wrong with each other." From delicious renditions of classics such as Sugar-Crusted Biscuits to updated favorites such as Black Beans with Sun-Dried Tomatoes, as well as special fare for entertaining and Kwaanza, the pages of Soul Food are alive with the spirit and love of African-American churches -- and the terrific food to be found there.
The African American Heritage Cookbook by
More than just a collection of recipes, it captures the traditional tastes and emotions of the Tuskegee Institure, the historic black university founded by former slave Booker T. Washington.
Taste of Heritage by
Chef Joe Randall and Toni Tipton-Martin showcase the rich heritage of African-American cooking in this authentic collection of 300 recipes. Drawn from Joe Randall's personal recipes, the book also includes recipes from chefs who have worked with Randall's A Taste of Heritage Foundation, including Edna Lewis and Patrick Clark. African-American cooking has evolved over more than 200 years to become a sophisticated and distinctive cuisine. More than just "soul food," African-American cuisine has become world class. Experience Catfish Stew with Cornmeal Dumplings, Southern Fried Quail, or Crepes with Country Fried Apples. Geared to the home cook, the recipes are also enhanced by a section of menus, complete with wine selections. The final section introduces readers to the stories and menus of the prominent African-American chefs who contributed to the book.
A Kwanzaa Celebration by 
The Black Family Reunion Cookbook by
The Black Family Reunion Celebrations, organized by The National Council of Negro Women and held in seven cities across America every summer, celebrate and preserve the values, traditions, and strengths of the African-American family. Inspired by these festivals, The Black Family Reunion Cookbook contains more than 250 recipes from home kitchens across America, seasoned with warm memories and "homemade love." Including personal reminiscences from celebrities such as Natalie Cole, Wilma Rudolph, Patti LaBelle, and Spetman College President Johnetta Cole, this unique collection reflects the local, national, and international heritage of the Black community. It offers dishes for every occasion and every taste, from African-inspired Mustard Greens with Peanut Sauce to down-home Family Famous Chicken and Dumplings, from a traditional gumbo to sophisticated Sweet Potato Smoked Turkey Bisque, and, in honor of the council's founder, Mary McLeod Bethune, her own recipe for her celebrated Sweet Potato Pie.
Hallelujah! The Welcome Table by
Throughout Maya Angelou’s life, from her childhood in Stamps, Arkansas, to her world travels as a bestselling writer, good food has played a central role. Preparing and enjoying homemade meals provides a sense of purpose and calm, accomplishment and connection. Now in Hallelujah! The Welcome Table, Angelou shares memories pithy and poignant–and the recipes that helped to make them both indelible and irreplaceable. Angelou tells us about the time she was expelled from school for being afraid to speak–and her mother baked a delicious maple cake to brighten her spirits. She gives us her recipe for short ribs along with a story about a job she had as a cook at a Creole restaurant (never mind that she didn’t know how to cook and had no idea what Creole food might entail). There was the time in London when she attended a wretched dinner party full of wretched peop≤ but all wasn’t lost–she did experience her initial taste of a savory onion tart. She recounts her very first night in her new home in Sonoma, California, when she invited M. F. K. Fisher over for cassoulet, and the evening Deca Mitford roasted a chicken when she was beyond tipsy–and created Chicken Drunkard Style. And then there was the hearty brunch Angelou made for a homesick Southerner, a meal that earned her both a job offer and a prophetic compliment: “If you can write half as good as you can cook, you are going to be famous.” Maya Angelou is renowned in her wide and generous circle of friends as a marvelous chef. Her kitchen is a social center. From fried meat pies, chicken livers, and beef Wellington to caramel cake, bread pudding, and chocolate éclairs, the one hundred-plus recipes included here are all tried and true, and come from Angelou’s heart and her home. Hallelujah! The Welcome Table is a stunning collaboration between the two things Angelou loves best: writing and cooking.
A Treasury of Afro-American Folklore by 
Complete Writings by
Destined to become the first published woman of African descent, Phillis Wheatley was born around 1753. She was taken by the slave ship Phillis to Boston in 1761 and bought by John and Susanna Wheatley. The Wheatleys provided her with an education that was unusual for a woman of the time and astonishing for a slave. Phillis published her first poem in 1767, around the age of fourteen, and won much public attention and considerable international fame before she was twenty years old. This new Penguin Classics edition features an introduction and notes by Vincent Carretta, along with supplementary material, including the work of Wheatley's contemporaries, Lucy Terry Prince, Jupiter Hammon, and Francis Williams.
The Collected Poems of Langston Hughes by
"The ultimate book for both the dabbler and serious scholar--. [Hughes] is sumptuous and sharp, playful and sparse, grounded in an earthy music--. This book is a glorious revelation."--Boston Globe Spanning five decades and comprising 868 poems (nearly 300 of which have never before appeared in book form), this magnificent volume is the definitive sampling of a writer who has been called the poet laureate of African America--and perhaps our greatest popular poet since Walt Whitman.nbsp;nbsp;Here, for the first time, are all the poems that Langston Hughes published during his lifetime, arranged in the general order in which he wrote them and annotated by Arnold Rampersad and David Roessel. Alongside such famous works as "The Negro Speaks of Rivers" and Montage of a Dream Deferred, The Collected Poems includes the author's lesser-known verse for children; topical poems distributed through the Associated Negro Press; and poems such as "Goodbye Christ" that were once suppressed.nbsp;nbsp;Lyrical and pungent, passionate and polemical, the result is a treasure of a book, the essential collection of a poet whose words have entered our common language.
And Still I Rise by
Maya Angelou's unforgettable collection of poetry lends its name to the documentary film about her life, And Still I Rise, as seen on PBS's American Masters. Pretty women wonder where my secret lies. I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies. I say, It's in the reach of my arms, The span of my hips, The stride of my step, The curl of my lips. I'm a woman Phenomenally. Phenomenal woman, That's me. Thus begins "Phenomenal Woman," just one of the beloved poems collected here in Maya Angelou's third book of verse. These poems are powerful, distinctive, and fresh--and, as always, full of the lifting rhythms of love and remembering. And Still I Rise is written from the heart, a celebration of life as only Maya Angelou has discovered it. "It is true poetry she is writing," M.F.K. Fisher has observed, "not just rhythm, the beat, rhymes. I find it very moving and at times beautiful. It has an innate purity about it, unquenchable dignity. . . . It is astounding, flabbergasting, to recognize it, in all the words I read every day and night . . . it gives me heart, to hear so clearly the caged bird singing and to understand her notes."
Invisible Man by
Ralph Elllison's Invisible Man is a monumental novel, one that can well be called an epic of modern American Negro life. It is a strange story, in which many extraordinary things happen, some of them shocking and brutal, some of them pitiful and touching--yet always with elements of comedy and irony and burlesque that appear in unexpected places. It is a book that has a great deal to say and which is destined to have a great deal said about it. After a brief prologue, the story begins with a terrifying experience of the hero's high school days, moves quickly to the campus of a Southern Negro college and then to New York's Harlem, where most of the action takes place. The many people that the hero meets in the course of his wanderings are remarkably various, complex and significant. With them he becomes involved in an amazing series of adventures, in which he is sometimes befriended but more often deceived and betrayed--as much by himself and his own illusions as by the duplicity of the blindness of others. Invisible Man is not only a great triumph of storytelling and characterization; it is a profound and uncompromising interpretation of the Negro's anomalous position in American society.
Acolytes by
A collection of eighty all new poems, Acolytes is distinctly Nikki Giovanni, but different. Not softened, but more inspired by love, celebration, memories and even nostalgia. She aims her intimate and sparing words at family and friends, the deaths of heroes and friends, favorite meals and candy, nature, libraries, and theatre. But in between, the deep and edgy conscience that has defined her for decades shines through when she writes about Rosa Parks, hurricane Katrina, and Emmett Till's disappearance, leaving no doubt that Nikki has not traded one approach for another, but simply made room for both.
Paradise by
"Rumors had been whispered for more than a year. Outrages that had been accumulating all along took shape as evidence. A mother was knocked down the stairs by her cold-eyed daughter. Four damaged infants were born in one family. Daughters refused to get out of bed. Brides disappeared on their honeymoons. Two brothers shot each other on New Year's Day. Trips to Demby for VD shots common. And what went on at the Oven these days was not to be believed . . . The proof they had been collecting since the terrible discovery in the spring could not be denied: the one thing that connected all these catastrophes was in the Convent. And in the Convent were those women." In Paradise--her first novel since she was awarded the Nobel Prize for Literature--Toni Morrison gives us a bravura performance. As the book begins deep in Oklahoma early one morning in 1976, nine men from Ruby (pop. 360), in defense of "the one all-black town worth the pain," assault the nearby Convent and the women in it. From the town's ancestral origins in 1890 to the fateful day of the assault, Paradise tells the story of a people ever mindful of the relationship between their spectacular history and a void "Out There . . . where random and organized evil erupted when and where it chose." Richly imagined and elegantly composed, Paradise weaves a powerful mystery.
Sula by
Toni Morrison's first novel,The Bluest Eye(1970), was acclaimed as the work of an important talent, written--as John Leonard said inThe New York Times--in a prose "so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry." Sulahas the same power, the same beauty. At its center--a friendship between two women, a friendship whose intensity first sustains, then injures. Sula and Nel--both black, both smart, both poor, raised in a small Ohio town--meet when they are twelve, wishbone thin and dreaming of princes. Through their girlhood years they share everything--perceptions, judgments, yearnings, secrets, even crime--until Sula gets out, out of the Bottom, the hilltop neighborhood where beneath the sporting life of the men hanging around the place in headrags and soft felt hats there hides a fierce resentment at failed crops, lost jobs, thieving insurance men, bug-ridden flour...at the invisible line that cannot be overstepped. Sula leaps it and roams the cities of America for ten years. Then she returns to the town, to her friend. But Nel is a wife now, settled with her man and her three children. She belongs. She accommodates to the Bottom, where you avoid the hand of God by getting in it, by stayingupright,helping out at church suppers, asking after folks--where you deal with evil by surviving it. Not Sula. As willing to feel pain as to give pain, she can never accommodate. Nel can't understand her any more, and the others never did. Sula scares them. Mention her now, and they recall that she put her grandma in an old folks' home (the old lady who let a train take her leg for the insurance)...that a child drowned in the river years ago...that there was a plague of robins when she first returned... In clear, dark, resonant language, Toni Morrison brilliantly evokes not only a bond between two lives, but the harsh, loveless, ultimately mad world in which that bond is destroyed, the world of the Bottom and its people, through forty years, up to the time of their bewildered realization that even more than they feared Sula, their pariah, they needed her.
Tar Baby by
The author of Song of Solomon now sets her extraordinary novelistic powers on a striking new course. Tar Baby, audacious and hypnotic, is masterful in its mingling of tones--of longing and alarm, of urbanity and a primal, mythic force in which the landscape itself becomes animate, alive with a wild, dark complicity in the fates of the people whose drama unfolds. It is a novel suffused with a tense and passionate inquiry, revealing a whole spectrum of emotions underlying the relationships between black men and women, white men and women, and black and white people. The place is a Caribbean island. In their mansion overlooking the sea, the cultivated millionaire Valerian Street, now retired, and his pretty, younger wife, Margaret, go through rituals of living, as if in a trance. It is the black servant couple, who have been with the Streets for years--the fastidious butler, Sydney, and his strong yet remote wife--who have arranged every detail of existence to create a surface calm broken only by sudden bursts of verbal sparring between Valerian and his wife. And there is a visitor among them--a beautiful young black woman, Jadine, who is not only the servant's dazzling niece, but the protegée and friend of the Streets themselves; Jadine, who has been educated at the Sorbonne at Valerian's expense and is home now for a respite from her Paris world of fashion, film and art. Through a season of untroubled ease, the lives of these five move with a ritualized grace until, one night, a ragged, starving black American street man breaks into the house. And, in a single moment, with Valerian's perverse decision not to call for help but instead to invite the man to sit with them and eat, everything changes. Valerian moves toward a larger abdication. Margaret's delicate and enduring deception is shattered. The butler and his wife are forced into acknowledging their illusions. And Jadine, who at first is repelled by the intruder, finds herself moving inexorably toward him--he calls himself Son;nbsp;nbsp;he is a kind of black man she has dreaded since childhood; uneducated, violent, contemptuous of her privilege. As Jadine and Son come together in the loving collision they have both welcomed and feared, the novel moves outward--to the Florida backwater town Son was raised in, fled from, yet cherishes; to her sleek New York; then back to the island people and their protective and entangling legends. As the lovers strive to hold and understand each other, as they experience the awful weight ofnbsp;nbsp;the separate worlds that have formed them--she perceiving his vision of reality and of love as inimical to her freedom, he perceiving her as the classic lure, the tar baby set out to entrap him--all the mysterious elements, all the highly charged threads of the story converge. Everything that is at risk is made clear: how the conflicts and dramas wrought by social and cultural circumstances must ultimately be played out in the realm of the heart. Once again, Toni Morrison has given us a novel of daring, fascination, and power.
Beloved by
Sethe, an escaped slave living in post-Civil War Ohio with her daughter and mother-in-law, is haunted persistently by the ghost of the dead baby girl whom she sacrificed.
The Norton Anthology of African American Literature by
Organized chronologically, this anthology of African-American literature brings together the work of 123 writers from 1746 to the present. This second edition features a varied selection of genres and a wealth of vernacular forms.
Black Southerners, 1619-1869 by
This revealing interpretation of the black experience in the South emphasizes the evolution of slavery over time and the emergence of a rich, hybrid African American culture. From the incisive discussion on the origins of slavery in the Chesapeake colonies, John Boles embarks on an interpretation of a vast body of demographic, anthropological, and comparative scholarship to explore the character of black bondage in the American South. On such diverse issues as black population growth, the strength of the slave family, the efficiency and profitability of slavery, the diet and health care of bondsmen, the maturation of slave culture, the varieties of slave resistance, and the participation of blacks in the Civil War, Black Southerners provides a balanced and judicious treatment.
Immortal Valor by
The remarkable story of the seven African American soldiers ultimately awarded the World War II Medal of Honor, and the 50-year campaign to deny them their recognition. In 1945, when Congress began reviewing the record of the most conspicuous acts of courage by American soldiers during World War II, they recommended awarding the Medal of Honor to 432 recipients. Despite the fact that more than one million African-Americans served, not a single Black soldier received the Medal of Honor. The omission remained on the record for over four decades. But recent historical investigations have brought to light some of the extraordinary acts of valor performed by black soldiers during the war. Men like Vernon Baker, who single-handedly eliminated three enemy machineguns, an observation post, and a German dugout. Or Sergeant Reuben Rivers, who spearhead his tank unit's advance against fierce German resistance for three days despite being grievously wounded. Meanwhile Lieutenant Charles Thomas led his platoon to capture a strategically vital village on the Siegfried Line in 1944 despite losing half his men and suffering a number of wounds himself. Ultimately, in 1993 a US Army commission determined that seven men, including Baker, Rivers and Thomas, had been denied the Army's highest award simply due to racial discrimination. In 1997, more than 50 years after the war, President Clinton finally awarded the Medal of Honor to these seven heroes, sadly all but one of them posthumously. These are their stories.
A Progressive Era for Whom? by
Embracing an argument-based model for teaching history, the Debating American History series encourages students to participate in a contested, evidence-based discourse about the human past. Each book poses a question that historians debate - How democratic is the U.S. Constitution? or Why didCivil War erupt in the United States in 1961? - and provides abundant primary sources so that students can make their own efforts at interpreting the evidence. They can then use that analysis to construct answers to the big question that frames the debate and argue in support of their position.A Progressive Era for Whom? poses this big question: Was the early 20th Century a Progressive Era for African Americans?
Trouble in Mind by
"Leon F. Litwack constructs an account of life in the Jim Crow South. Drawing on an array of contemporary documents and first-person narratives from both blacks and whites, he examines how black men and women learned to live with the severe restrictions imposed on their lives during the late nineteenth and early twentieth centuries." "Litwack relates how black schools and colleges struggled to fulfill the expectations placed on them in a climate that was separate but hardly equal; how hardworking tenant farmers were cheated of their earnings, turned off their land, or refused acreage they could afford to purchase; how successful and ambitious blacks often became targets of white violence and harassment. Faced with evidence of black independence and assertiveness, the white South responded with a policy of oppression and subjugation that systematically "disrecognized" black people." "Litwack shows how blacks not only coped with crushing poverty and misery, but also found refuge in their own institutions and managed to preserve their humanity and dignity through religion, work, music, and (frequently subversive) humor."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Slaves Without Masters by
Slaves Without Masters is a vivid and moving history of the quarter of a million free blacks who lived in the South before the Civil War. First published to great acclaim in 1974, Slaves Without Masters established Ira Berlin as one of the outstanding historians of African American life in slavery and freedom. It traces the lives of free black men and women, portraying their struggle for community, liberty, economic independence, and education within an oppressive society.
Black Camelot by
In the wake of the Kennedy era, a new kind of ethnic hero emerged within African-American popular culture. Uniquely suited to the times, burgeoning pop icons projected the values and beliefs of the Civil Rights and Black Power movements, and reflected both the possibility and the actuality of a rapidly changing American landscape. In Black Camelot, William Van Deburg examines the dynamic rise of these new black champions, the social and historical contexts in which they flourished, and their powerful impact on the African-American community. "Van Deburg manages the enviable feat of writing with flair within a standardized academic framework, covering politics, social issues and entertainment with equal aplomb."--Jonathan Pearl, Jazz Times "[A] fascinating, thorough account of how African-American icons of the 1960s and '70s have changed the course of American history. . . . An in-depth, even-tempered analysis. . . . Van Deburg's witty, lively and always grounded style entertains while it instructs."--Publishers Weekly
The Negro in the American Revolution by
Describes the activities of Negroes during Revolutionary times, paying special attention to their support of military operations.
The Underground Rail Road by
Originally published in 1872 and out of print for many years, this landmark book presents firsthand accounts of slaves escaping north by way of the human support network known as the Underground Railroad. The narratives were painstakingly documented by William Still (1821-1902), a son of emancipated slaves who helped guide untold numbers of fugitives to safety as an Underground Railroad "conductor" based in Philadelphia.The Fugitive Slave Act of 1850 made William Still's work extremely risky, both personally and for the clandestine operation he supervised for over a decade. Under the law, free northern states were prohibited from harboring so-called runaway slaves, and citizens who provided aid were subject to steep fines, civil penalties, and imprisonment. In spite of the risks, Still corresponded with, interviewed, and recorded the stories of hundreds of fugitives, concealing the records in a grave until the day they could safely be made public.William Still's meticulous record keeping appears to have been unique among high-level Underground Railroad operatives. Certainly, no comparable history of the northern slave exodus has survived to this day. In terms of its scope and depth, The Underground Rail Road stands alone in documenting the extraordinary experiences of those who escaped slavery in mid-19th century America.
Carry Me Home by
"Carry Me Home is a dramatic account of the civil rights era's climactic battle in Birmingham, as the Movement led by Martin Luther King, Jr., brought down the institutions of segregation." ""The Year of Birmingham," 1963, was one of the most cataclysmic periods in America's long civil rights struggle. That spring, King's child demonstrators faced down Commissioner Bull Connor's police dogs and fire hoses in huge nonviolent marches for desegregation - a spectacle that seemed to belong more in the Old Testament than in twentieth-century America. A few months later, Ku Klux Klansmen retaliated with dynamite, bombing the Sixteenth Street Baptist Church and killing four young black girls. Yet these shocking events also brought redemption: They transformed the halting civil rights movement into a national cause and inspired the Civil Rights Act of 1964, which abolished legal segregation once and for all." "Diane McWhorter, the daughter of a prominent white Birmingham family, captures the opposing sides in this struggle for racial justice. Tracing the roots of the civil rights movement to the Old Left and its efforts to organize labor in the 1930s, Carry Me Home shows that the Movement was a waning force in desperate need of a victory by the time King arrived in Birmingham. McWhorter describes the competition for primary among the Movement's leaders, especially between Fred Shuttlesworth, Birmingham's flamboyant preacher-activist, and the already world-famous King, who was ambivalent about the direct-action tactics Shuttlesworth had been practicing for years." "Carry Me Home is the product of years of research in FBI and police files and archives, and of hundreds of interviews, including conversations with Klansmen who belonged to the most violent klavern in America. John and Robert Kennedy, J. Edgar Hoover, George Wallace, Connor, King, and Shuttlesworth appear against the backdrop of the unforgettable events of the civil rights era - the brutal beating of the Freedom Riders as the police stood by; King's great testament, his "Letter from Birmingham Jail"; and Wallace's defiant "Stand in the Schoolhouse Door." This book is a classic work about this transforming period in American history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Black New Orleans, 1860-80 by
Black New Orleans explores the twenty-year period in which the city's black population more than doubled. Meticulously researched and replete with archival illustrations from newspapers and rare periodicals, John W. Blassingame's groundbreaking history offers a unique look at the economic and social life of black people in New Orleans during Reconstruction. Not a conventional political treatment, Blassingame's history instead emphasizes the educational, religious, cultural, and economic activities of African Americans during the late nineteenth century. "Blending historical and sociological perspectives, and drawing with skill and imagination upon a variety of sources, [Blassingame] offers fresh insights into an oft-studied period of Southern history. . . . In both time and place the author has chosen an extraordinarily revealing vantage point from which to view his subject. "--Neil R. McMillen, American Historical Review
Slim's Table by
At the Valois "See Your Food" cafeteria on Chicago's South Side, black and white men gather over cups of coffee and steam-table food. Mitchell Duneier, a sociologist, spent four years at the Valois writing this moving profile of the black men who congregate at "Slim's Table." Praised as "a marvelous study of those who should not be forgotten" by the Wall Street Journal,Slim's Table helps demolish the narrow sociological picture of black men and simple media-reinforced stereotypes. In between is a "respectable" citizenry, too often ignored and little understood. "Slim's Table is an astonishment. Duneier manages to fling open windows of perception into what it means to be working-class black, how a caring community can proceed from the most ordinary transactions, all the while smashing media-induced stereotypes of the races and race relations."--Citation for Chicago Sun Times Chicago Book of the Year Award "An instant classic of ethnography that will provoke debate and provide insight for years to come."--Michael Eric Dyson, Chicago Tribune "Mr. Duneier sees the subjects of his study as people and he sees the scale of their lives as fully human, rather than as diminished versions of grander lives lived elsewhere by people of another color. . . . A welcome antidote to trends in both journalism and sociology."--Roger Wilkins, New York Times Book Review
Black Power by
Exploring the profound impact of the Black Power movement on African Americans. Outstanding Academic Title, Choice In the 1960s and 70s, the two most important black nationalist organizations, the Nation of Islam and the Black Panther Party, gave voice and agency to the most economically and politically isolated members of black communities outside the South. Though vilified as fringe and extremist, these movements proved to be formidable agents of influence during the civil rights era, ultimately giving birth to the Black Power movement. Drawing on deep archival research and interviews with key participants, Jeffrey O. G. Ogbar reconsiders the commingled stories of--and popular reactions to--the Nation of Islam, Black Panthers, and mainstream civil rights leaders. Ogbar finds that many African Americans embraced the seemingly contradictory political agenda of desegregation and nationalism. Indeed, black nationalism, he demonstrates, was far more favorably received among African Americans than historians have previously acknowledged. It engendered minority pride and influenced the political, cultural, and religious spheres of mainstream African American life for the decades to come. This updated edition of Ogbar's classic work contains a new preface that describes the book's genesis and links the Black Power movement to the Black Lives Matter movement. A thoroughly updated essay on sources contains a comprehensive review of Black Power-related scholarship. Ultimately, Black Power reveals a black freedom movement in which the ideals of desegregation through nonviolence and black nationalism marched side by side.
Black. Queer. Southern. Women by
Drawn from the life narratives of more than seventy African American queer women who were born, raised, and continue to reside in the American South, this book powerfully reveals the way these women experience and express racial, sexual, gender, and class identities--all linked by a place where such identities have generally placed them on the margins of society. Using methods of oral history and performance ethnography, E. Patrick Johnson's work vividly enriches the historical record of racialized sexual minorities in the South and brings to light the realities of the region's thriving black lesbian communities. At once transcendent and grounded in place and time, these narratives raise important questions about queer identity formation, community building, and power relations as they are negotiated within the context of southern history. Johnson uses individual stories to reveal the embedded political and cultural ideologies of the self but also of the listener and society as a whole. These breathtakingly rich life histories show afresh how black female sexuality is and always has been an integral part of the patchwork quilt that is southern culture.
Shelter in a Time of Storm by
2020 Museum of African American History Stone Book Award 2020 Lillian Smith Book Award Finalist, 2020 Pauli Murray Book Prize For generations, historically Black colleges and universities (HBCUs) have been essential institutions for the African American community. Their nurturing environments not only provided educational advancement but also catalyzed the Black freedom struggle, forever altering the political destiny of the United States. In this book, Jelani M. Favors offers a history of HBCUs from the 1837 founding of Cheyney State University to the present, told through the lens of how they fostered student activism. Favors chronicles the development and significance of HBCUs through stories from institutions such as Cheyney State University, Tougaloo College, Bennett College, Alabama State University, Jackson State University, Southern University, and North Carolina A&T. He demonstrates how HBCUs became a refuge during the oppression of the Jim Crow era and illustrates the central role their campus communities played during the civil rights and Black Power movements. Throughout this definitive history of how HBCUs became a vital seedbed for politicians, community leaders, reformers, and activists, Favors emphasizes what he calls an unwritten "second curriculum" at HBCUs, one that offered students a grounding in idealism, racial consciousness, and cultural nationalism.
Black Women's Mental Health by
Creates a new framework for approaching Black women's wellness, by merging theory and practice with both personal narratives and public policy.
Black Against Empire by
This timely special edition, published on the fiftieth anniversary of the founding of the Black Panther Party, features a new preface by the authors that places the Party in a contemporary political landscape, especially as it relates to Black Lives Matter and other struggles to fight police brutality against black communities. In Oakland, California, in 1966, community college students Bobby Seale and Huey Newton armed themselves, began patrolling the police, and promised to prevent police brutality. Unlike the Civil Rights Movement that called for full citizenship rights for blacks within the United States, the Black Panther Party rejected the legitimacy of the U.S. government and positioned itself as part of a global struggle against American imperialism. In the face of intense repression, the Party flourished, becoming the center of a revolutionary movement with offices in sixty-eight U.S. cities and powerful allies around the world. Black against Empire is the first comprehensive overview and analysis of the history and politics of the Black Panther Party. The authors analyze key political questions, such as why so many young black people across the country risked their lives for the revolution, why the Party grew most rapidly during the height of repression, and why allies abandoned the Party at its peak of influence. Bold, engrossing, and richly detailed, this book cuts through the mythology and obfuscation, revealing the political dynamics that drove the explosive growth of this revolutionary movement and its disastrous unraveling. Informed by twelve years of meticulous archival research, as well as familiarity with most of the former Party leadership and many rank-and-file members, this book is the definitive history of one of the greatest challenges ever posed to American state power.
Being Black, Being Male on Campus by
Explores how race and gender matter on campus and how Black males navigate college for academic and personal success.
Strategic Sisterhood by
When women were denied a major speaking role at the 1963 March on Washington, Dorothy Height, head of the National Council of Negro Women (NCNW), organized her own women's conference for the very next day. Defying the march's male organizers, Height helped harness the womanpower waiting in the wings. Height's careful tactics and quiet determination come to the fore in this first history of the NCNW, the largest black women's organization in the United States at the height of the civil rights, Black Power, and feminist movements of the 1960s and 1970s. Offering a sweeping view of the NCNW's behind-the-scenes efforts to fight racism, poverty, and sexism in the late twentieth century, Rebecca Tuuri examines how the group teamed with U.S. presidents, foundations, and grassroots activists alike to implement a number of important domestic development and international aid projects. Drawing on original interviews, extensive organizational records, and other rich sources, Tuuri's work narrates the achievements of a set of seemingly moderate, elite activists who were able to use their personal, financial, and social connections to push for change as they facilitated grassroots, cooperative, and radical activism.
Still Can't Do My Daughter's Hair by
Still Can't Do My Daughter's Hair is the latest book by author William Evans, founder of Black Nerd Problems. Evans is a long-standing voice in the performance poetry scene, who has performed at venues across the country and been featured on numerous final stages, including the National Poetry Slam and Individual World Poetry Slam. Evans's commanding, confident style shines through in these poems, which explore masculinity, fatherhood, and family, and what it means to make a home as a black man in contemporary America.
Charlottesville 2017 by
When hate groups descended on Charlottesville, Virginia, triggering an eruption of racist violence, the tragic conflict reverberated throughout the world. It also had a profound effect on the University of Virginia's expansive community, many of whose members are involved in teaching issues of racism, public art, free speech, and social ethics. In the wake of this momentous incident, scholars, educators, and researchers have come together in this important new volume to thoughtfully reflect on the historic events of August 11 and 12, 2017. How should we respond to the moral and ethical challenges of our times? What are our individual and collective responsibilities in advancing the principles of democracy and justice? Charlottesville 2017: The Legacy of Race and Inequity brings together the work of these UVA faculty members catalyzed by last summer's events to examine their community's history more deeply and more broadly. Their essays--ranging from John Mason on the local legacy of the Lost Cause to Leslie Kendrick on free speech to Rachel Wahl on the paradoxes of activism--examine truth telling, engaged listening, and ethical responses, and aim to inspire individual reflection, as well as to provoke considered and responsible dialogue. This prescient new collection is a conversation that understands and owns America's past and--crucially--shows that our past is very much part of our present. Contributors: Asher D. Biemann * Gregory B. Fairchild * Risa Goluboff * Bonnie Gordon * Claudrena N. Harold * Willis Jenkins * Leslie Kendrick * John Edwin Mason * Guian McKee * Louis P. Nelson * P. Preston Reynolds * Frederick Schauer * Elizabeth R. Varon * Rachel Wahl * Lisa Woolfork
Walking Harlem by
With its rich cultural history and many landmark buildings, Harlem is not just one of New York's most distinctive neighborhoods; it's also one of the most walkable. This illustrated guide takes readers on five separate walking tours of Harlem, covering ninety-one different historical sites. Alongside major tourist destinations like the Apollo Theater and the Abyssinian Baptist Church, longtime Harlem resident Karen Taborn includes little-known local secrets like Jazz Age speakeasies, literati, political and arts community locales. Drawing from rare historical archives, she also provides plenty of interesting background information on each location. This guide was designed with the needs of walkers in mind. Each tour consists of eight to twenty-nine nearby sites, and at the start of each section, readers will find detailed maps of the tour sites, as well as an estimated time for each walk. In case individuals would like to take a more leisurely tour, it provides recommendations for restaurants and cafes where they can stop along the way. Walking Harlem gives readers all the tools they need to thoroughly explore over a century's worth of this vital neighborhood's cultural, political, religious, and artistic heritage. With its informative text and nearly seventy stunning photographs, this is the most comprehensive, engaging, and educational walking tour guidebook on one of New York's historic neighborhoods.
Romance with Voluptuousness by
Offering a unique vantage point from which to view black women's body image and Caribbean migration, Romance with Voluptuousness illuminates how first- and second-generation immigrant black Caribbean women engage with a thick body aesthetic while living in the United States. Using personal accounts, Romance with Voluptuousness examines the ways in which black women with heritage in the English-speaking Caribbean participate in, perpetuate, and struggle with the voluptuous beauty standard of the black Caribbean while living in the hegemony of thinness cultivated in the United States. It highlights how black Caribbean women negotiate issues of body image deriving from both Caribbean and American pressures to maintain a particular body shape and contend with discourses and practices surrounding the body that aim to marginalize and exclude them from economic, social, and political spaces. By focusing on diasporic Caribbean women's "romance" with voluptuousness, Kamille Gentles-Peart explores the transnational flow of beauty ideals and examines how ideas about beauty in the Caribbean diaspora help to shape the experiences of Caribbean black women in the United States.